Crowning Rio’s Corcovado at 700 m, the 30 m Christ the Redeemer statue (38 m with pedestal) unites reinforced concrete with soapstone tesserae. Conceived after World War I and completed in 1931, it became a symbol of Brazilian faith and identity. Modern conservation replaces tiles, treats concrete, and updates lightning protection and access systems.
Post‑war calls for a national religious monument led to the Corcovado project. Engineer Heitor da Silva Costa coordinated design and fundraising; the chosen Art Deco conception emphasized serenity over drama.
The internal frame is reinforced concrete—a pragmatic choice in Rio’s climate—while the surface is clad with millions of soapstone tiles set by hand, their joints accommodating thermal movement. French sculptor Paul Landowski contributed to the head and hands, fabricated from models and integrated on site.
Visible from across the bay, the outstretched arms form an embracing silhouette. Pilgrims and tourists reach the summit by road, train, elevators, and escalators; night lighting ties liturgy to skyline spectacle.
Lightning strikes, wind, and tropical rain attack both cladding and structure. Periodic campaigns replace eroded tesserae, seal joints, and patch concrete; a robust lightning system and monitoring reduce hazards. Environmental impact management addresses visitor pressure within Tijuca National Park.
Clear mornings reward views of Guanabara Bay, Sugarloaf, and the beaches. Time visits outside peak hours; combine with Santa Teresa or Jardim Botânico for a full day.
